Friday, June 26, 2009

Generation J

You join us as CSI: Miami try their hand at investigating the death of Michael Jackson...
This is not a post about the late Michael Jackson. He was a successful musician, broke down various barriers, has the biggest selling album in history, made a lot of expensive videos. He also had fairly questionable personal habits and spent much of the last 20 years as the punchline to a lot of bad jokes. (Though not quite as heroically awful as the ones which have been wriggling out of the woodwork on Arsebook and Twunter over the past eight hours or so. You know the ones.)

This is a post about Triple J. I'm led to believe that the national youth broadcaster gave over much of their morning today to playing non stop, no repeat MJ. All-Jacko, All-The-Time, like some sort of demented fucking commercial network. Now cloying 24/7 coverage of his last moments and his ambiguous legacy on every MSM outlet is one thing, but MJ on JJJ is most definitely the point at which I draw the line in the sand, and say 'Take your plastic fucking pop prince and fuck the fuck right out of here.' I wasn't even subjected to this and I'm fucked off about it, and have said as much in a variety of forums.

It probably surprised even me a little to realise that in my book, the sanctity and integrity of Triple J is palpably more important than the legacy of the Jacko that is (sorry was) Wacko. Fair enough, he hadn't had a hit since 1991, and Black and White was more a triumph of nascent video morphing whizz-bangery than musical genius - and to be fair, that was the story of much of Jackson's MTV-era career. So someone of my gen downplaying his significance isn't that surprising. But am I overplaying that of Triple J?

No.

Triple J saved my fucking life. Without Triple J I wouldn't be interested in music. Before Triple J all we had - other than ABC regional radio, whose idea of modern music was Whispering Jack-era Johnny Farnham - was Triple Z, a God-awful commercial FM network with a monumental programming hard-on for Shania, Celine and Ace Of Fucking Base. There's a line from In The Worst Possible Taste - quite a few updates away though - where the Duffer remarks of the Zeds, 'I knew they were planning to shake up their playlist but I figured that just meant they'd be playing Celine Dion three times a day instead of six.' It wasn't really a joke. They cranked sparing amounts of listenable material - trace elements of Pearl Jam, U2, AC/DC and the Hoodoo Gurus - but the pop princesses paid the bills, so they got the airplay.
It. Was. Awful.

Then Triple J launched their ambitious mid-'90s expansion programme, whereby they aimed to cover the nation. Northern Rivers NSW was their first new location, and served as the first destination for their brand-new 'Unearthed' unsigned act talent spotting competition. The first, and greatest, winner of that competition: the mighty Grinspoon. OUR mighty Grinspoon. Never mind the fact most of the band were only living up our way to go to Southern Cross Uni. They belonged to us, and just as quickly, we belonged to Triple J.

I don't need to explain, and aren't going to try, why Triple J is so unique, why it's a lot more than just a music station, why the National Youth Broadcaster remains unmatched by ANY alternative radio network anywhere in the world. That story has been told. This is mine, circa 1995 when the switch got thrown at the FM tower on Mt Nardi. Triple J was the Spoon, the Bait, the Chair and the Gurge. It was You Am I and TISM. It was the Badloves and the Cruel Sea. It was a hundred Australian bands who I'd never have heard of and never could have under the Previous Regime. It was Soundgarden and the Foo Fighters, Veruca Salt and Nine Inch Nails, the Offspring and Stone Temple Pilots, the Breeders and Rage Against The Machine. It was Oasis, the Presidents, the Chili Peppers and Alanis before commercial radio fucked with them. It wasn't Celine or Shania or any of the pop princesses... though Ace of fucking Base still made the airwaves, for reasons best known to Satan. And it was Roy and HG, Dr Karl, Kingsmill, Helen and Mikey, and even fat little Michael Tunn after his ABC kids TV gig wound up. IT. WAS. AWESOME.

No word of a lie, changed my fucking life it did. Blew my fucking head off and I've never been the same since.

Triple J were the soundtrack to my HSC study, not to mention pissup parties at Dawso's and Amiga gaming weekends at AJ's. And Triple J made me buy music albums for the first time. The first CD I bought - having owned nothing but crappy pop hits compilation cassettes previously - was TISM's Machiavelli and the Four Seasons, closely followed by the Presidents' debut album, both of which were hammered by the J's in the back end of 1995. I no longer have any concept of how many CDs I've bought over the past 15 or so years. Many, many hundreds. To be honest, it's what every disposable dollar I had in my pocket from the day I left home to the day I left Australia has been spent on. Many fortnights as an undergrad at New South were spent on the bones of my arse with the arse out of my trousers because I'd blown my budget at Red Eye or Utopia in the Sydney CBD earlier in the pay period, and later Skinny's (RIP) and Rockinghorse in Brisvegas when on the comparative affluence of a PhD stipend. I don't buy many albums any more, not because I've gone download-apeshit or I've turned into a miserable old fart who doesn't 'do' modern music, but because I have no Triple J to introduce me to anything new. (And cos my fave NZ record store went a bit tits-up and closed its D-town branch.)

Without Triple J there would have been no live shows, at least not with me in the crush and thrall. No Livids or Homebakes or Big Days Out. I wouldn't trade those experiences for anything. My first date with Dr Mrs Dr Yobbo was UQ's O-Week live gig with Eskimo Joe and You Am I. In five years there were four Livids, four BDOs, four Homebakes and a Splendour In The Arse, as well as countless live shows, the highlights of which were posted here as the Twelve Days Of Deafness Parts One and Two.

I know the J's have changed. The post-grunge of the '90s and garage punk of the '00s is gone now, their current playlist groaning under the weight of trendy fluoro-tinged nuff-nuff poptronica and domestic hip-hop. And the faces change - some of which were only ever faces suitable for radio in the first place, of course. Breakfast with Helen and Mikey became Breakfast with Paul, Mikey and the Sandman, then Adam and Wil, then the swearier half of Frenzal Rhomb, then the current lot of scruff. Roy and HG's 20 year innings lasted right till last year until the commercial rock station offered them more money than God, coincidentally now making State of Origin games absolutely unwatchable sans their commentary. And of course we're all older and More Grown Up. "Don't listen to the Jays any more, all they play now is fucken shit" is the refrain, as it probably was for the 2JJ generation when grunge and skate punk invaded the airwaves in the early '90s. I can't listen to the Jays, I don't get the choice. I would if I could. And the importance and the uniqueness of the Jays is still valid today, even in these short attention span, download-heavy times. A couple of our previous years' honours students spent time in Canberra for summer studentships, and came back raving. Not about the place, cos it's shit. Not about the nightlife, although the concept of playing Australia Day 'Goon of Fortune' using a Hills Hoist was clearly not one that had occurred to them before. But about Triple J. They'd never heard a station that played so much good shit for so much of the day - and this was from a couple of perennially seen-it-all Gen Y'ers. In fact one of them stayed. I don't think it was for the goon laybacks either, though she is that sort of girl.

So without Triple J, no good times. No gigs, no festivals, no mountain of CDs. And no In The Worst Possible Taste, which when you reduce it down to its most basic essence, is a love story between me and the rock music Triple J introduced me to, and for which I will be forever grateful.

And cars.

And chicks with big tits.


The Doctor is OUT.

21 comments:

Anonymous said...

Warn me next time you send hot chicks over here.

Abe

Steve said...

What barriers exactly did Michael break down? Aside from those he plowed into in a manic frenzy when his hair caught on fire?

Too soon?

Anyway....Atlanta had a similar station which I discovered when I moved here in 1998, called 99X. It had been around for about 6 or 7 years at that point, and were one of the first stations that go a Gen X music format. Grunge, basically. They were one of the first stations in the US to give the Chili Peppers mainstream radio play. A lot of REM, Nirvana, Soundgarden, Pearl Jam, etc.

Then, as those bands aged, and a younger audience came in, it was pop-punk. Good Charlotte, Fall Out Boy, and bullshit music like that. 99X died because it catered to a younger audience that was no longer listening to radio, and not buying products. It's parent company gave its stronger signal to its higher rated station in the area, a Top 40 POS, and moved the "rock" station to the old Top 40's signal, which can barely be picked up outside the beltway highway that encircles Atlanta. Now, they play a mix of classic, 80's and modern rock. Lots of Zepellin, Cars, Styx, Skynard. Not a bad music lineup, but it's kind of sad to hear the industry change.

What's the difference between Michael Jackson and Sir Alex Fergusson?

Fergusson will still be playing Giggs in August.

Albion Love Den said...

Agree re: JJJ. I was stationed involuntarily in Townsville prior to the national coverage.

I did my high school journalism work experience stint at the local ABC studio where the engineer taught me the ropes, which included how to patch Sydney 2JJJ into the studio... later it extended to how to record that same station on to 6 2-hour long reel-to-reel tapes. Then, from there recording all the songs on to normal C90 tapes. I still have a drawer full of obscure and irreverent music which kicked my arse out of the hair-metal phase it was going through.

RIP Triple J. (That said, Doc, you can tune in over the intertudes. But I'd recommend going to DIG rather than JJJ).

Moko said...

I don't really have an affinity to the Jays. Didn't grow up with them, didn't REALLY listen to them - did, occasinally - when I got here. Tripped over it once in awhile fiddling with the dials but I got that they give all sorts some air time. Even some of the fucken RIGHT OUT THERES (used to listen to coupla heavy shows when I did security late at night), and that's a good thing. Never really listen to Radio One, either.

As for MJ. I said it to a stupid hypocritical bitch on Farcebook that it's sad that fella who sold 100,000,000 albums - I doubt I've even taken that many breaths - and has the title of highest selling album OF ALL TIME. MORE than the Beatles, more than Hendrix, The Doors, Johnny Cash, The King, fucken ANYONE WHO EVER HAD RECORDED ANYTHING and he gets remembered by butt fucking jokes...

If people can't figure out what he did for music then no amount of debate would convince them otherwise.

At least JJJ has the ability to acknowledge his contribution.

You'd think JJJ is about music, and not fanboi's idea of it. Well done, The Jays. And it was one fucking morning....move on. YOu'll be right....you survived it okay....need a cuddle?.

Dr Yobbo said...

Abe - didn't say she was hot. Couldn't possibly comment on that, being an ex student and all... We actually lose at least one or two good students a year to ANU for PhDs, they aggressively target our hons graduates (offering anyone with first class hons a PhD scholarship straight off the bad - NZ ain't got the cash to compete with that.) I guess they have difficulty recruiting within Oz and figure our students (a) are of good quality and (b) are already OK with living somewhere with shit weather.

Steve - I think that story's been told all over the world. Formerly cool radio station gets fucked by chasing supposedly more profitable demographic. Luckily JJJ being a public broadcaster has less of the same ratings pressure - although some of that shite did end up on there, it definitely wasn't the defining characteristic of the station.

The Giggs one I like (not so sure SAF will be playing him in August though, maybe in the Community Shield!) The two worst MJ jokes I've heard so far:
- They're gonna melt him down and make him into plastic toys so kids can play with HIM for a change
- His promoters have had to cancel his upcoming dates, with Jason (9), Michael (11) and Peter (8)

Jamin - yeah can't tune in during work hours cos it sucks too much broadband out of the lab allocation. Used to when I worked in a quiet out-of-the-way office, Jay and the Doctor across the morning (with the time difference.) There are NO decent radio stations in NZ. One pirate garage-punk and metal station which was here in Dunedin for a bit but's now gone tits up.

Moko - I don't buy the argument that just because someone or something sells a lot of units they automatically become the most important or significant in their field. I'm sure Top Gear will be thrilled to hear the greatest car ever made is now the Toyota Corolla, and that the McDonalds cheeseburger is the most important development in food since sliced bread.
As for the kiddy fiddler jokes, they're a self-inflicted injury. There's plenty of people about the place with fucked up childhoods but he chose to take on the lifestyle he did, knowing what the likely consequences would be given his celebrity profile.
You don't have an affinity for the J's because you grew up in NZ. I don't have an affinity for MJ because I wasn't listening to music in the 70s and 80s. We'll agree to disagree on the importance of his legacy and the proportionality of the MSM's response to his passing.

Moko said...

I didn't actually say that because he sold a lot of units he WAS THE MOST SIGNIFICANT. Correct me if I said it somewhere, but I don't believe I did. But, seeing as you put it out there, in regards to Popular music and nearly everything you'll see on the tele, he's right up there.

Dismissing 100,000,000 millions albums just beause you don't like the style is slightly....well, you tell me. But it's like dismissing someone like Warhol. Fucken fruitloop, but significant. Edgar Allen Poe. Einstein. Who else was a deviant, or a nutter mother fucker, but significant....?. And no, I'm not comparing MJ against them, but if you're gonna dismiss someone cause they're fucked in the head then we should look at who else we should be firing at.

I believe it's sad that he gets remembered by many as a paedophile. I didn't offer any more in my comment than that. He wasn't convicted of anything. LEt's be consistant if we're gonna go that way and condemn everyone who's been charged with anything...I mean....you know.

I found him just as fucken up as you did. Mighta turned out different if he spent some of that fortune on therapy. I think he was a major influence of mainstream music and how they go about their thing. Anything you see on the tele came after he did it. Again, you might not like Popular music, but it's still there and selling FUCK LOADS.

I notice Rage is playing him all this morning. They find a happy balance, usually. Even seen Sepultura on there.

Dr Yobbo said...

Moko, I don't disagree with much of what you're saying, and I'm not disputing that he is relevant to modern music. He's just not relevant to me. This is a blog. It is not a document of fact, it is an opinion piece. Let's go back to the top of the page. He was a successful musician, broke down various barriers, has the biggest selling album in history, made a lot of expensive videos. He also had fairly questionable personal habits and spent much of the last 20 years as the punchline to a lot of bad jokes. That's all I had to say about him and all I HAVE to say about him. That number with all the zeroes in it means something to music in general - it has to. It can't NOT. But it doesn't mean much - or AS much - to me. None of those albums were bought by me. I remain disappointed by the massively disproportionate response to his passing by media outlets which would normally not bother playing his stuff, such as Triple J. As for Rage, they've always played the top 40 pop stuff on weekend mornings, while simulcasting Triple J late at night. Rage playing MJ is no surprise, that's how I saw his film clips in the first place.

My last word on the issue is this wasn't a blog about Jackson and despite this diversion in the comments, it isn't a blog about Jackson. I'm not interested in him as an artist or as a person.

Moko said...

99% of my first comment wasn't aimed at you, in particular. Or it wasn't my intention to be.

...and it's only disproportionate to you because you don't care.

Bit naive to believe you can say something like:

"...but MJ on JJJ is most definitely the point at which I draw the line in the sand, and say 'Take your plastic fucking pop prince and fuck the fuck right out of here.' I wasn't even subjected to this and I'm fucked off about it, and have said as much in a variety of forums."

AND

"...the sanctity and integrity of Triple J is palpably more important than the legacy of the Jacko that is (sorry was) Wacko."

..and not expect someone to retort. Usually you welcome debate...but if you want...

I agree wholeheartedly with everything you say.

Domestic Daze said...

It's sad when something like this happens every media outlet tends to jump on the band wagon.

It's the complete back flips that really get you wondering who benefitted from it in the first place.

Lobes said...

Makavelli and the 4S is such a great album. I saw TISM live once or twice and they were teh awesome too.

Many yrs ago when I lived in London I was running an office in the City. I allowed my drones to listen to music during their shifts and would also stream JJJ across my desktop PC. I'll never forget this one young slightly goth 19ish chick whos eyes lit up when she heard the music they played. I gave her the link and explained a bit about the station. She was blown away that there were music stations out there playing stuff that wasnt farking Celine Dion or (dare I say it) MJ. Every time after that she would always be listening to JJJ which kinda made me feel good.

I had totally forgotten about The Sandman. I wonder where he is? I only listen to JJJ in the shower and the car now. Doesnt sound like its changed that much.

Moko said...

The Sandman - (presumably the same one) - was on Triple M for quite awhile doing talkback. Good show too. LAst I heard him was somewhere over the weekends doing that. That was a few months back. Typically Triple M fucked him over - IMO - with the hours.

Moko said...

Sorry, my bad. Different dude, thinking of the Spoonman.

The Sandman: http://www.hlamgt.com.au/stephen-abbott-sandman.htm

Dr Yobbo said...

Cheers Lobes - yeah saw TISM twice - once at the Metro doing their own thing, once at Homebake getting ridiculous sound bleed from the main stage - but they were bloody good live.

Sandy was hosting the Ashes cricket on SBS last I heard of him. He had that variety show as well that the Kransky Sisters were on - In Siberia Tonight or something. I thought Mikey Robins was on Triple M Breakfast or something - he and McDermott kinda sold out with the Good News Week thing but they were good value when they were doing breakfast. Helen Razer was doing ABC Melbourne (proper grown up radio, like Adam Spencer is doing in Sydney) but I think she pissed off too many people, not sure if she still has that gig. Roy and HG are doing Triple M drivetime Mon and Fri as of this year. I don't really blame them for taking the cash, they gave JJJ a good 20 years service and largely got ignored by the rest of the station - probably the only part of the lineup that wasn't overtly 'youth' oriented.

Dammit I'm gonna start streaming Breakfast again before work. Should at least get a half hour out of em.

Anonymous said...

Pretty sure the Sandman is doing ads for industry super funds these days, but he hasn't aged well.

Abe

Dr Yobbo said...

Wasn't he always?

"Weekend at Bernie Fraser's" was actually a song by the moderately ficticious Flange Gasket, of ITWPT fame.

Albion Love Den said...

Strangely, Mr Abbott (aka The Sandman) did a brief podcast series I think for the ABC on, of all things, birdwatching. I downloaded it. It was quite interesting and entertaining. Apparently it spawned from a lot of research Steve did for a TV series on birwatching which never quite got up.

Somehow, I see this as a fitting life story for someone who came up with The Sandman. Hopelessly lost within his own sense of the world.

http://www.abc.net.au/profiles/content/s2367315.htm

Nautilus said...

Ok, I know I'm late. I read this post a while back on the phone but this is going to be a big comment which would be a pain to type on the phone.

First of all take off those rose coloured glasses and get your JJJ tattoo lasered off!

Yes JJJ is great and the country owes them a thanks for providing Merrick and Rosso with a platform.

Yes they play a better range of music that appeals to the youth.

Yes they aren't bound by commercial fears that drive other radio stations to have stupid promotions.

Yes they deserve our respect and admiration for what they have done for local music.

Yes they were a significant part of the soundtrack to my youth.

BUT........

They are beholden to the ABC board.

They have playlists which means a small group of people decide what is worthy of play and if you listen 10 hours a day (at work) you are going to hear the same songs each day.

They are not alternative and haven't been since about when they went National. At that time alternative was becoming mainstream and liking Oliva Newton-John and Cliff Richard was more alternative.

Now I don't blame you for the high esteem you held JJJ in, after all you didn't live in Melbourne so the Js were far superior to the alternative. But here in Melb we had two alternatives, community radio station PBS and RRR.

I can't say too much about PBS because I didn't listen to them too much. My Dad listened to some of their Jazz shows which was good motivation for me not too.

RRR though saved my life.

I discovered RRR in about year 9 and it ruined me for all other stations. No playlists, just special interest shows run by people passionate about what they are doing. Some of the shows I would have zero interest in while others would be revelation after revelation.

I could prattle on about RRR for hours, but you can stream them at www.rrr.org.au and find out for yourself.

Probably the biggest endorsement for RRR is that at 19 I worked in a spare parts wharehouse. The resident storemen were MMM fans while the other new guy and I prefered RRR. As a compromise we listen to JJJ. It was quite funny to listen to new music on JJJ and realise I had been listening to it for 2 months on RRR.

So in conclusion, JJJ is great but it's not the messiah. But RRR may well be.

Dr Yobbo said...

Triple R... meh. Heard Mudbournians go on and on about it in excelsius deo for years now. Not disputing its quality, but if only a bunch of interested people in Australia's second city can hear it, it's of no use to me. Doesn't matter what your message is if noone's hearing it. I'm not disputing its quality because I've never heard it and never will.

JJJ was the messiah. May not be any more, but sure as hell was in 1995.

Nautilus said...

You coulda moved!!!

Any start streaming it now, it's not too late.

Oh and on JJJ play MJ, I think you are being way too precious. As I said they have a playlist and therefore are at the whim of a small group of individuals.

PS. I thought he was guilty and so couldn't give a flying fuck that he is now dead.

Dr Yobbo said...

Naut

(a) I did. I finished school and went to uni in Sydney. And listened to Triple J there cos it was the only thing listenable (apart from Triple M between ads and Martin/Molloy between songs)

(b) I did. This morning. It was three community radio muppets coughing nervously into their mikes, and no music to speak of. Meanwhile Triple J played a bunch of crap but at least the Doctor gave me a fucking good laugh backannouncing the shit new Bloc Party single

(c) Precious smecious. I objected to the principle of the thing. The music itself doesn't bother me. It's the enormously disproportionate reaction to him dropping off the twig that fucks me off. If they play AC/DC all morning when Angus finally goes to the big inflatable lady in the sky then I'll be suitable mollified.

(d) Re Triple J music programming, they have only ever had two music directors - the bloke who had the job since the 2JJ days, and Kingsmill who took over about five years ago. If by small group of individuals you mean one, I accept your point. But the ABC board have tried and failed repeatedly to influence Triple J content - case in point the shitfight over them suspending on-air staff for playing NWA's Fuck Tha Po-lice in 1989, inciting a general strike by all on-air staff until the board were forced to back down. Admittedly if I'd had to listen to NWA's Express Yourself being played on repeat for 24 hours - the chosen form of protest - I'd probably have ended up more pissed off than I would have been about Jacko taking over the morning show. But arguing 'a small number of people' define JJJ's music playlist is a pointless argument, every station does. Unless RRR don't have a music director and just pick music by general acclamation at gatherings of the commune.

Therbs said...

I have a longer history of Triple J. Sure the old double jayers probably now listen to the AM local ABC stations which seem to have a lot of the old JJ and JJJ on air staff floating around. Maybe that's the career - TripleJ to ABC Local once you hit 35.
The Triple J playlists will always represent what's interesting to the current generation with regular history dipping. Tripl J is still better than anything else.
As for RRR, well, it soudns like its one of those community FM stations which allogt time to various special interest types. Interesting, but not necessarily completely engaging music-wise. There's only so much trad jazz a bloke can stand.