Which brings us to the inevitable, hideous Ferris Bueller remake.
Nope, it's not even a fillum. Just a fucking Superbowl TV ad for the new Honda CR-V. Which is possibly quite apt, given the Bueller 'franchise reboot' deployed above is at least as dull, beige, mediocre and fucking milquetoast as Honda's worldwide range of motor vehicles. It's a case study in point of how to play it absolutely safe, offend nobody, and as a result, interest even fewer. Although to be fair it's not as if Matthew Broderick's been tripping over his period-canon Reebok Pumps (or even his modern-era fucknormous jowly jowls) to dump the cutesy fluff and immerse himself in edgy arthouse roles. (He's seriously fucking jowly ain't he? Word is his stunt double was an English bulldog.)
Now I'm no keeper of the flame for the Artistic Integrity of the original Ferris Bueller Skives Off; it was a harmless bit of giggly fluff, but it was well put together. However, in their pursuit of Absolute Beige in their Bueller remake, the Honda 'creatives' have managed to strike the editorial pen through the only three worthwhile or entertaining things from the original film:
One, Bueller's desperate Macgyver-esque scramble home to bed to avoid being captured by the fuzz (that being on Principle Douchebag's chin), discovered by his smug-factor-nine parentals or dobbed-in by his sister;
Two, the very-fucking-much-not-a-Honda-CRV item below;

And three, Mia Sara. Obviously.

Though she's probably a touch jowly now herself.
So in summary, fuck the '80s. Wake me up when the '90s are back in. I have a pallet of Lowes flannos and fake Chucks I'm planning to mark up heavily and flog off to Gen Z tweenage hipsters.
The Doctor is OUT.









